“The Weight”, Mikal Cronin, MCII

Best known for his collaborations with modern day Marc Bolanite, Ty Segall, Mikal Cronin is starting to carve a name for himself with his own homage to the music of old.  His debut 2011 LP, Mikal Cronin, was a home-spun affair, a psych-garage rock album that brought the roll back in rock.  

This time around Cronin is armed with a full studio production (and major indie label Merge) on the suitably named MCII, a continuation and evolution of his previous work.  ”The Weight” benefits from the studio soundscape, there’s tight harmony lines and bristling dynamics, but Cronin is wise to not let the song be overdone with studio polish, the raw energy is still there.

The Weight - Mikal Cronin

RIYL: John Lennon, Elliott Smith, The New Pornographers, Someone Still Loves You Boris Yeltsin

MCII comes out May 7th, 2013 on Merge Records. You can Pre-order it here:


Merge Records

iTunes

“Big Love”, Matthew E. White

Label: Hometapes (released August 21, 2012)

Big Inner is by far one of the more intriguing debut albums to come out this year: it’s equal parts experimental Beck, cynical Randy Newman, brooding The National and Big Easy celebrating Allen Toussaint.  ”Big Love” grooves with a percolating bass line and a fantastic jazzy piano hook that could have found a home on a Nina Simone album. It’s an arrangement that you want to stick around for as it bounces from “Tomorrow Never Knows” territory to a loose gospel-influenced call and response. Surely one of the better cuts of the year and coming from a man who looks like he could have been a cult leader. Check out the beautiful brass/string arrangement on the epic “Brazos”, one of the more enjoyable nearly 10:00 songs perhaps ever and surely a call to inherit Harry Nilsson’s long lost throne.

Big Love

Brazos


RIYL: Harry Nilsson, Beck, Randy Newman, Allen Toussaint, The National

Treat Her Fine: A Mixtape

As finals draw near and the first semester comes to a close, here’s a little playlist to get you through.

1. Hank - Treat Her Right (off of Tied to the Tracks)

2. Maybe Baby (Buddy Holly Cover) - Justin Townes Earle (off of Rave On Buddy Holly)

3. Let’s Go Young - Hundred Visions (off of Permanent Basement)

4. Don’t Stop Loving Me Now (Floating Action Cover) - Juston Stens (via Everybody Taste)

5. Who’s Gonna Find Me - The Coral (off of Roots and Echoes)

6. Thought and Commonsense - Cheers Elephant ( off of Like Wind Blows Fire)

7. Where’d All the Time Go - Dr. Dog (off of Shame, Shame)

8. 50 Lashes - Floating Action (off of Floating Action)

9. Lonely Lonely Night - Juston Stens (off of Trash or Treasure)

10. California - Cheers Elephant (off of Man Is Nature)

11. Hot Love - T. Rex (off of Electric Warrior)

12. You Never Know - Wilco (off of Wilco)

13. Leaves, Trees, Forest - Dan Mangan (off of Oh, Fortune)

14. No Voodoo- Allah-Las (off of Allah-Las)

15. Soul Sister - Allen Toussaint (off of Life, Love And Faith)

16. In Living Color - Lands & Peoples (off of Pop Guilt)

17. Big Bad Love - Andrew Combs (off of Worried Man)

18. Leap - The Cave Singers (off of Welcome Joy)

19. You Had Me At Hello - Mystery Jets (off of Radlands)

20. You Silly Git - Dan Mangan (off of Nice, Nice, Very Nice)

21. Atlantic City - Bruce Springsteen (off of Nebraska)

Listen to it on Spotify

Treat Her Fine (.zip file)

“California”, Cheers Elephant, Man Is Nature (2011)

The eighth track off  Philadelphia based Cheers Elephant’s 2011 release, Man Is Nature, “California” is an absolute stunner of a pop melody. Starting off with a bouncy jazz guitar riff, “California” bursts with the energy of Beatlesque harmonies and sly, tongue-in-cheek, lyrics that are reminiscent of Queen’s “Killer Queen”. A stellar track on a stellar album you might have missed last year.

California - Cheers Elephant

 Cheers Elephant’s latest album Like Wind Blows Fire may well find itself back here on a Best of 2012 list, so prep yourself by grabbing the album on Bandcamp!

RIYL: Dr. Dog, Queen, The Beatles

Dr. Dog “Exit For Sale”, Wild Race EP

I’ve been a fan of Dr. Dog ever since I first heard the Grateful Dead/Beatle harmonies of “Worst Trip” and The Band homage of “Alaska”. Yes when they first started, they were a “revivalist” band, perfectly happy to ape the ’60s status quo.  Things started to change around Shame, Shame when they released the biting “Take Me Into Town” as a bonus track. In February 2012 Be The Void followed, showing Dr. Dog at their most creative they had been in years. It was no longer just spitting out the music of their forebears, it was adapting it, putting it through some weird kind of dimension where all time periods existed at once. I still consider it one of the best albums of the year.  8 months later Dr. Dog released Wild Race EP  containing this neat little number “Exit For Sale”.  Featuring a menacing chromatic piano line and bluesy guitars, the song explodes into some beautiful harmonies during the chorus and remains an example of the goods Dr. Dog has to offer.

Take Me Into Town - Dr. Dog

Exit For Sale - Dr. Dog

Ephemera:

Worst Trip - Dr. Dog

Alaska- Dr. Dog

Selections From The Obscure: “It’s All Over Now”, Paradise & Lunch, Ry Cooder (1974)

Ry Cooder brought the Buena Vista Social Club, the famed celebration of old Cuban music,to fruition, but his career is more diverse and stylized in the music of Americana.  On Paradise and Lunch, arguably his best LP, he merges traditional spirituals, delta blues, soul numbers and even a Burt Bacharach tune into one big melting pot of the American songbook. It’s quite a thrilling expedition and despite its rampant anachronism, it contextualizes quite well. “It’s All Over Now”, written by Sam Cooke protege Bobby Womack, and made famous by The Rolling Stones was by all means a sweaty 60’s r&b number but Cooder turns it on its head, making it into a soul/reggae fusion with great vocal harmonies that truly makes you pause on realizing this is a number by a white virtuoso session man.  It’s one of the many reasons to grab the complete album. I’m also including “Tamp ‘Em Up Solid”, the traditional ballad that leads off the album which wouldn’t be out of place on a soundtrack for a modern film about the Civil War (or perhaps on Quentin Tarantino’s Django Unchained).

It’s All Over Now - Ry Cooder

Tamp ‘Em Up Solid - Ry Cooder

Milk

  • by Theme Park
  • on Upcoming Debut Album

For the endless deluge of indie bands out there that have tried to follow through on the sounds like Talking Heads witty world pop mantle (see Dirty Projectors, Vampire Weekend), UK transplant Theme Park are looking like the best challenge yet, though with an updated sound. It’s really “Milk” one of their first singles from their upcoming debut album (due out in August) , that nails down the frenetic David Byrne vocal with some nice energetic dance-floor indie pop a la Hot Chip. However, if “Jamaica”, their latest single proves anything, Theme Park is no flash in the pan and they know how to write a catchy summer hook.  

Milk -  Theme Park

Jamaica - Theme Park 

RIYL: TV On The Radio, Talking Heads, Phoenix, Hot Chip

Milk - Theme Park

Forgive Me

  • by Darrell Banks
  • on Here To Stay

For being blessed with one of the most powerful voices in soul, Darrell Banks is often at best considered a side-note in the very congested history of soul music (for “Open The Door To Your Heart”). A belter worthy of Wilson Pickett and J.J. Jackson, his career was tragically cut down when he was shot by an off-duty police officer in the midst of a heated exchange. “Forgive Me” comes off of his 1969 release for Stax Records subsidiary Volt, Here To Stay. With a string arrangement evocative of Impressions records of the period, it’s Banks pleading emotional croon that makes this song so powerful.

Forgive Me - Darrell Banks

RIYL: Wilson Pickett, The Impressions, J.J. Jackson, Stax Records

Forgive Me - Darrell Banks

Sneaky Feelings

  • by Elvis Costello
  • on My Aim Is True

Elvis Costello’s debut album My Aim Is True sounds as visceral now as it did in 1977. Equally due to both strong songwriting by Costello and subtle production by Nick Lowe, songs from the album like “Alison” “(The Angels Wanna Wear My) Red Shoes”, “Less Than Zero” and “Watching The Detectives” have all become classic rock staples.  Yet for all the rock criticism that focuses (deservedly) on Costello’s cynical and smart lyricism, a New-Wave/Punk Randy Newman if you will, many don’t emphasize that My Aim Is True is just chock full of powerful and catchy melodies.

Following the devastating “Alison”, “Sneaky Feelings” features quite a hook and replete with nice backing harmonies and a swaggering Costello putting on his best Van Morrison impression trying to deal with being in love. A great song off of a great album. Also check out the excellent album opener “Welcome To The Working Week” which packs a Beach Boys homage and some powerful pop-punk into its under 1:30 run time.

Sneaky Feelings - Elvis Costello 

Welcome To The Working Week -  Elvis Costello 

Sneaky Feelings - Elvis Costello

Keep It For Your Own

  • by POP ETC
  • on YOURS TRULY

Chris Chu has a point.  As he explains in the video, a lot of bands get pigeonholed into a certain sound when they become successful, and falter from the pressure to come up something better while boxed into one sound. Big Echo, their last album under The Morning Benders moniker, had brought them to the heights of post-Beach Boys/Beatles indie/pop, elaborate, but not overly orante pocket symphonies, the fleeting emotions following a break-up and working through it.  So it’s daring that they’ve changed their approach, but ultimately it’s honest to the artist and saves their sound from becoming stagnant.  

POP ETC is also very embracing of social media, and probably one of the better bands at reaching out to their fans. When they first announced their change of name, it wasn’t a little press release that gave no reasons, it clearly stated the why and their intentions.  While their album isn’t due out til the 12th of June, they’ve been keeping busy with making mixes, showcasing their influences and eclectic tastes through successive Weekend Mixes.  

As to the song itself, “Keep It For Your Own” is a great single, the hook that a better Coldplay might have made (I’m talking “Don’t Panic” era) and the live production touches of the Yours Truly session meld beautifully, an acoustic guitar here, an upright piano there, organic harmonies with a few electronic pieces. 

Keep It For Your Own (Yours Truly) - POP ETC 

(Sorry for the quality, there isn’t an official release)

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Grab “Keep It For Your Own” or pre-order the full POP ETC from iTunes.

Keep It For Your Own - POP ETC